CAT 2017 Slot 2VARC Question 1

Mixed PracticeEasy
Passage / Data

Answer the following questions based on the information given below.

Creativity is at once our most precious resource and our most inexhaustible one. As anyone who has ever spent any time with children knows , every single human being is born creative ; every human being is innately endowed with the ability to combine and recombine date, perception , materials and ideas, and devise new way of thinking and doing. What fosters creativity? More than anything else: the presence of other creative people. The big myth is that creativity is the province of great individual geniuses. In fact creativity is a social process. Our biggest creative breakthroughs come when people learn from, compete with, and collaborate with other people.

Cities are the true fonts of creativity… With their diverse populations, dense social networks, and public spaces where people can meet spontaneously and serendipitously, they spark and catalyzed new ideas. With their infrastructure for finance, organization and trade, they allow those ideas to be swiftly actualized.

As for what staunches creativity, that’s easy, if ironic. it’s the very institutions that we build to manage, exploit and perpetuate the fruits of creativity -our big bureaucracies, and sad to say, too many of our schools. Creativity is disruptive; schools and organizations are regimented, standardized and stultifying.

The education expert Sir Ken Robinson points to a 1968 study reporting on a group of 1,600 children who were tested over time for their ability to think in out- of- the- box- ways. When the children were between 3 and 5 years old, 98 percent achieved positive scores. When they were 8 to 10, only 32 percent passed the same test, and only 10 percent at 13 to 15. When 280,000 25-year-olds took the test, just 2 percent passed. By the time we are adults, our creativity has been wrung out of us.

I once asked the great urbanist Jane Jacobs what makes some places more creative than others. She said, essentially, that the question was an easy one. All cities, she said ,were filled with creative people; that’s our default state as people. But some cities had more than their shares of leaders, people and institutions that blocked out that creativity. She called them “squelchers.”

Creativity (or the lack of it) follows the same general contours of the great socio-economic divide-our rising inequality-that plagues us. According to my own estimates, roughly a third of us across the United state, and perhaps as much as half of us in our most creative cities-are able to do work which engages our creative faculties to some extent whether as artist, musician, writers techies, innovators, entrepreneurs, doctors, lawyers, journalists, or educators, -those of us who work with our minds. That leaves a group that I term “the other 66 percent,” who toil in low -wage rote and rotten jobs-if they have jobs at all-in which their creativity is subjugated, ignored or wasted.

Creativity itself is not in danger. It’s flourishing is all around us -in science and technology, arts and culture, in our rapidly revitalizing cities. But we still have a long way to go if we want to build a truly creative society that supports and rewards the creativity of each and every one of us.

In the author’s view, cities promote human creativity for all the following reasons  EXCEPT that they

Answer & solution

Correct answer: provide access to cultural activities that promote new and creative ways of thinking.

  • A

    contain spaces that enable people to meet and share new ideas.

  • B

    expose people to different and novel ideas, because they are home to varied groups of people.

  • C

    provide the financial and institutional netwroks that enable ideas to become reality.

  • provide access to cultural activities that promote new and creative ways of thinking.

Solution

Easy

This is an EXCEPT question. Three options will be reasons the author actually gives for cities promoting creativity; the odd one out is the answer. Anchor everything in paragraph 2, which lists exactly why cities are "the true fonts of creativity."

A

"contain spaces that enable people to meet and share new ideas." Paragraph 2 states cities have "public spaces where people can meet spontaneously and serendipitously" and so "spark and catalyzed new ideas." This is a stated reason, so it is NOT the exception. Eliminate.

B

"expose people to different and novel ideas, because they are home to varied groups of people." Paragraph 2 credits the "diverse populations" and "dense social networks" of cities with sparking new ideas. This is a stated reason. Eliminate.

C

"provide the financial and institutional networks that enable ideas to become reality." Paragraph 2 says cities, "with their infrastructure for finance, organization and trade... allow those ideas to be swiftly actualized." This is a stated reason. Eliminate.

D

"provide access to cultural activities that promote new and creative ways of thinking." The passage never lists "access to cultural activities" as a reason cities promote creativity. The drivers it names are diverse people, dense networks, public meeting spaces, and finance/trade infrastructure — not cultural amenities. Since this reason is absent from the text, it is the exception. Correct.

Option D is the answer. Access to cultural activities is the one reason in the list that the passage never advances; the other three are explicitly stated in paragraph 2.

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CAT 2017 Slot 2 VARC Q1: In the author’s view, cities promote human creativity for all the following reasons EXCEPT that they — Solution | TheCATExam